JVC DLA-NZ800 Projector, 4096 x 2160 4K UHD, 2,700 ANSI Lumen

Product information

More brightness and longevity thanks to the BLU-Escent laser

A key factor in the performance of the D-ILA projector is the BLU-Escent laser with blue laser diodes, which achieves 2,700 lumens in the DLA-NZ800 and is designed for a service life of at least 20,000 operating hours.000 operating hours.

Highlights:

3rd generation of the 0.69-inch D-ILA panel with native 4K resolution (4096 x 2160)
2nd generation 8K/e-shiftX technology for image reproduction with 8K resolution
New BLU-Escent laser light unit
High light output of 2.700 lumens for true-colour and dynamic images
All-glass lens with 65 mm diameter consisting of 17 elements in 15 groups
Native contrast ratio of 100,000:1 leads to a dynamic contrast ratio of ∞ : 1
2 HDMI inputs (48 Gpbs, HDCP 2.3) for signals up to 8K60P and 4K120P

Gen2 8K/e-shiftX realised

picture playback with 8K resolution

The 2nd generation of JVC's own 8K resolution

Picture playback with 8K resolution. The second generation of JVC's proprietary 8K/e-shiftX technology doubles the resolution of a 4K signal by shifting each frame by 0.5 pixels in all four directions (left, right, up, down) to achieve pixel-perfect 8K resolution. The new generation of 8K scaling improves the projector's sharpness performance and ensures an incredible level of detail even with 8K sources.

Fantastic black level and high light output guarantee realistic image projection

The third generation of the 0.69-inch 4K D-ILA chip offers an outstanding contrast ratio that, in combination with the dynamic laser light control, which analyses the incoming video signal to automatically adjust the amount of light emitted, can achieve a dynamic contrast ratio of ∞:1 by switching off the light source completely in extremely dark scenes. As a result, images can be projected that come extremely close to human perception. The new algorithm also allows the laser to be controlled more precisely in order to optimise individual image adjustments.

8K60p input for ultra-high-resolution 8K signals

4K120p input optimised for video games

The new D-ILA models support high-resolution video signals up to 48Gbps 8K60p. By using highly integrated microchips of the latest design, the enormous data volumes of an 8K signal can be processed and displayed correctly. The result is detailed, extremely realistic video images with a full colour and contrast range. Thanks to the 4K120p input with low latency mode, the delay time during image processing is so short that optimum synchronicity of operator operation, image display and sound is guaranteed even in 4K games.

2nd generation Frame Adapt HDR for more dynamic range and colour depth in HDR content

The 2nd generation Frame Adapt HDR function permanently analyses the maximum brightness of each image and each individual scene of an HDR10 film, ensuring dynamic adjustment of brightness, colour and sharpness of detail in real time. The tone mapping algorithm developed by JVC has been completely revised to achieve an HDR display with higher colour depth and resolution.

Deep Black Tone Control

The new Deep Black Tone Control function adjusts the black level of dark scenes in Frame Adapt HDR mode so that night scenes appear much more realistic. This function optimises the dynamic range of the new 4K D-ILA devices and delivers a greater contrast range than ever before.

HDR drastically improves realistic image display

When it comes to reproducing the rich information of HDR content, including the enormous brightness range, extended BT.2020 colour space and 10-bit gradation, you should rely on one of the new D-ILA projectors. These models support all HDR formats including HDR10 for UHD Blu-ray and streaming, HLG for broadcasting and the new HDR10+ format with dynamic metadata compatibility. In combination with the higher light output and greater contrast, HDR films become an unforgettable cinema experience.

The Frame Adapt HDR function ensures dynamic adaptation of HDR10 content with high image resolution. It analyses each frame of the HDR10 content in real time and adjusts the dynamic range. In addition, the display of brightness levels and colour depth has been increased from 12 to 18 bits. Frame Adapt HDR ensures extremely precise reproduction of all brightness and colour shades of scenes with a wide variety of lighting situations.

The Theater Optimizer function, in conjunction with Frame Adapt HDR, permanently ensures the optimum brightness and colour display in relation to the screen size and gain factor used. Brighter and more dynamic HDR images thanks to HDR Quantizer function with new Auto (Wide) Level mode.
"Auto Tone Mapping" function for optimal display of HDR10 content by automatically adapting to the mastering data
New FILMMAKER MODE™ for faithful reproduction according to the producer's intention.
Clear Motion Drive ensures smooth motion display up to 4K60P (4:4:4) and has been significantly improved in the accuracy of moving image compensation.
ISF C3 mode (Certified Calibration Controls) for optimum calibration for specific projection environments
6-axis colour management system
Installation mode allows optics settings, pixel adjustment, masking, screen adjustment, installation situation, keystone correction, aspect ratio and anamorphic mode to be saved for different situations.
The extended colour space exceeds DCI P3 and produces lifelike images with rich colours
DML (Display Mastering Luminance) controls the dynamic range of the image for optimal HDR display.
New "Vivid" image mode for SDR images
With an optical sensor and proprietary software*, an optimal calibration can be performed in a few simple steps to adjust the changes in optical properties caused by the installation situation of the projector. Auto-calibration optimises all essential elements of the image, including colour balance, gamma properties, colour space and colour control.
Auto-calibration with optical sensor
Wireless transmission for 3D projection: Optional wireless transmission system consisting of the PK-AG3 battery-powered 3D glasses and the PK-EM2 3D sync transmitter

Technical data

Name	JVC DLA-NZ800 Projector, 4096 x 2160 4K UHD, 2,700 ANSI Lumen
Article number	1000032457
GTIN/EAN	4975769480126
Manufacturer SKU	DLA-NZ800
Lens included	Yes
Model name	DLA-NZ800
Projection Distance	Long Throw
Brand	JVC
Product Type	Projector
Product Series	JVC NZ8Series
Application	Installation projectors Application Ultra-short distance projector: Special short-distance projectors equipped with a wide-angle lens have been developed for conference room and classroom use. These projectors are also usually used for operation with interactive whiteboards. These projectors have the ability to project a large image from a very short distance. Ultra-short distance projectors are extremely popular in presenter circles because, for one thing, the image is not obscured when the presenter is standing in front of the screen. Secondly, the presenter is not or only slightly dazzled by the projector. An increase in this effect is offered by ultra-short distance projectors, which project the correspondingly large image from a distance of only a few centimetres.
Projector Type	D-ILA Projector Type DLP: DLP is a projection technique. With DLP technology, the light is sent through a rotating colour wheel. The newer DLP beamers have already increased the number of colour segments on the rotating colour wheel from six to up to eight in order to achieve better colour mixing. The coloured light is beamed onto a DLP chip where there are micro-mirrors. There is one micro-mirror per pixel. From each individual micro-mirror, an image is beamed through the lens onto the projection screen, where an image now appears. Rainbow effect: The rainbow effect basically occurs with all 1-chip DLP projectors. However, only about one third of all users notice this effect. When images are generated by DLP projectors, a specific colour of the colour wheel is successively projected onto the screen for each pixel and interpreted by the viewer's eye as a respective colour with a specific brightness/intensity. The more segments the colour wheel of a DLP projector has and the faster it rotates or the DLP chip is controlled, the smaller the rainbow effect. A flashing of the colours of the colour wheel (red-green-blue, possibly others) is then perceptible, partly with complete, also still images, partly with moving images, but especially at edges between bright and dark image areas. The effect can also be observed in high-contrast or dark images, or when the image content changes rapidly, e.g. in action films. Viewers who notice this effect report, among other things, from slight headaches to severe headaches and dizziness. LCD: LCD (liquid crystal display) is a projection technology. Lamp light is split by a dichroic mirror into its three primary colours: red, green and blue (3LCD). The split light is filtered by the polysilicon liquid crystal panel working for each colour. This creates monochrome images that are superimposed by a prism to create a picture on the screen. Particularly high-quality beamers use four panels (4LCD). With 4LCD beamers, the colour yellow is also separated. This enhancement emphasises the display of yellow. LCoS: LcoS is a projection technique. This technology also uses liquid panels, but the panels are not illuminated as with LCD technology. There are mirrors behind the panels that are similar to DLP technology. These mirrors significantly reduce the fly screen effect and achieve higher contrast values. Rear projection: Many projectors are suitable for so-called rear projection. For rear projection, an appropriately translucent screen is required (rear projection screen). For rear projection, the projector is positioned behind the screen and the corresponding mode is switched on in the projector menu. This function ensures that the image is mirrored. The advantage of rear projection is that the image is not obscured in the area in front of the screen when people walk in front of the image in the cone of light between the projector and the screen. For rear projection, projectors with higher light output are needed, as a lot of light is lost when passing through the screen. Since screens with rear projection surfaces have a high gain factor, the viewing angle decreases, so the audience should be positioned as centrally as possible in front of the screen. This type of rear projection is particularly popular in the event industry. Short-distance projectors: Special short-distance projectors equipped with a wide-angle lens have been developed for conference room and classroom use. These projectors are also commonly used for operation with interactive whiteboards. Short-distance projectors have the property of projecting a large image from a very short distance. This feature is extremely popular in presenter circles because, on the one hand, little of the image is obscured when the presenter is standing in front of the screen. Secondly, the presenter is not or only slightly dazzled by the projector. An increase in this effect is offered by ultra-short distance projectors, which project the correspondingly large image from only a few centimetres away.
Projector lamp type	Laser
ANSI Lumen	2,700 ANSI Lumen
Resolution	4096 x 2160 4K UHD Resolution Resolution: The resolution of a projector is the maximum number of image points (pixels) that a projector can display based on its naturally existing technology, i.e. without conversion or cropping of the image. The native resolution is the number of pixels that a projector physically has to display the image. A projector usually interpolates a resolution when it receives an image signal with a higher resolution than the native one. If this is the case, there may be a lack of image detail or general blurring in the displayed image. If a projector receives an image signal with a lower resolution than the native, it also interpolates, it scales the image up to the native resolution, calculates corresponding additional pixels, if possible without changing the image information. The disadvantage here is that although the image is displayed larger than fed, the original individual pixels may become much more visible as they are multiplied by the conversion. 4K: 4K refers to the resolution of 3840 x 2160 or Ultra High Definition Television (UHDTV). This resolution corresponds to 4 times the resolution of Full HD. To record films with this resolution, special cameras are needed that can record at around 8 megapixels (4K). Full HD: The term Full HD is used to describe devices that can physically display or output HDTV signals in full (1920 x 1080 pixels). 1080p: 1080p is the specification of the vertical picture lines. Among other things, it refers to the resolution 1920 x 1080. The "p" in this case means full frames, so all picture lines are displayed simultaneously. 1080i: 1080i is the specification of the vertical picture lines. The "i" in this case means fields. This signal is usually displayed interpolated (e.g. by devices with a 1280 x 720 HDready resolution). The interpolation digitally adds pixels, but also offers a slight blurring. In contrast, 1080p playback uses full frames.
Aspect Ratio	16:9 Aspect Ratio Format: The projected image is output in a format (aspect ratio) specified by the projector. The format is also determined by the resolution of the projector (see also the entry "Resolution"). The screen format is usually selected on the basis of the format of the beamer image. The most common formats are 4:3, 16:9 and 16:10.
Contrast Ratio	100,000 :1 Contrast Ratio Contrast: The contrast reflects the gradations between the lightest and darkest point. This is determined from white to grey to black. The higher the contrast, the more precisely the individual gradations between the respective sections can be recognised. In real use, however, the contrast actually only plays a role in darkened rooms, as the light counteracts the contrast. Therefore, contrast plays a rather subordinate role in presentation devices. It should also be noted that the contrast is determined differently depending on the technology. This often results in very different values on paper. Black level: The black level indicates the lowest light value of the projection that is achieved when projecting a black image. The better the black level, the more the dark colours / black tones are emphasised in the image.
Operating noise	24 dB Operating noise Operating noise: Naturally, every projector produces an operating noise due to the cooling function of the ventilation fan. This is specified by the manufacturer in the data sheet in dB (decibels). In Eco mode, the projectors are quieter than in normal operation due to the reduced output. However, the manufacturers' specifications do not always correspond to reality, as there is no standardised measurement procedure for this measurement. Thus, the projectors cannot be compared exactly by the volume specification. Decibel (dB): Naturally, every projector emits an operating noise caused by the cooling function of the ventilation fan. This is specified by the manufacturer in the data sheet in dB (decibels). In Eco mode, the projectors are quieter than in normal operation due to the reduced output. However, the manufacturers' specifications do not always correspond to reality, as there is no standardised measurement procedure for this measurement. Thus, the projectors are not exactly comparable by the volume specification. Volume: Naturally, every projector produces an operating noise due to the cooling function of the ventilation fan. This is indicated by the manufacturer in the data sheet in dB (decibels). In Eco mode, the projectors are quieter than in normal operation due to the reduced output. However, the manufacturers' specifications do not always correspond to reality, as there is no standardised measurement procedure for this measurement. Thus, the projectors are not exactly comparable in terms of volume.
Lamp life	20,000 Hour Lamp life Lamp life: The lamp life is specified by the manufacturer once in normal mode and once in eco mode. Depending on which mode the projector is used in, the lamp may last less or longer. However, the lamp life also depends on the duration of use. The longer a projector is in operation, the sooner it can lose its service life. Furthermore, external influences such as dust or nicotine can lead to a reduction in the service life. In order to ensure a longer lamp life, appropriate maintenance of the unit is necessary. Maintenance means that the air filter of LCD projectors should be vacuumed out frequently or replaced completely if there is a corresponding build-up of dirt. The exact service life of a projector cannot be determined exactly because of this. In order to accommodate the user, the various manufacturers offer different lamp warranty conditions for their devices. For example, one year on the lamp or up to 1000 lamp hours, whichever comes first. However, this varies from manufacturer to manufacturer and can be found in the specific data sheets.
Minimum Projection Distance	280 cm
Maximum Projection Distance	1,380 cm
Minimum Projection Ratio	1.43 Minimum Projection Ratio Projection ratio: The projection ratio indicates at which projection distance a corresponding image width is achieved. This value depends on the lens installed.Example 1 - Calculating the distance: Projection ratio 1.4-1.8:1 Desired image width = 300cm Result: 420 - 540 cm distance (300 x 1.4 or 1.8). Example 2 - Calculation of possible image widths: Projection ratio 1.4-1.8:1 Projection distance = 560cm Result: 311 - 400cm image width (560 / 1.4 or 1.8).
Maximum Projection Ratio	2.92 Maximum Projection Ratio Projection ratio: The projection ratio indicates at which projection distance a corresponding image width is achieved. This value depends on the lens installed.Example 1 - Calculating the distance: Projection ratio 1.4-1.8:1 Desired image width = 300cm Result: 420 - 540 cm distance (300 x 1.4 or 1.8). Example 2 - Calculation of possible image widths: Projection ratio 1.4-1.8:1 Projection distance = 560cm Result: 311 - 400cm image width (560 / 1.4 or 1.8).
Minimum Lens-Shift Horizontal	-34%
Maximum Lens-Shift Horizontal	34%
Minimum Lens-Shift Vertical	-80%
Maximum Lens-Shift Vertical	80%
Inputs	1x 3,5mm Jack , 1x Ethernet , 1x RS232 , 2x HDMI Inputs HDMI: Digital connection for the transmission of picture & sound. Necessary for high-resolution picture quality (HDTV). Since HDMI 1.4 (High Speed) suitable for transmission of 3D content in Full HD. For high-resolution picture quality in UHD, 4K or HDR, the connection via HDMI 2.0a and higher is suitable. HDMI 2.1 or higher should be used from 120Hz refresh rate in 4K. VGA: The VGA connector is a 15-pin connector for analogue image transmission. It is also called DSub15 and is often found on notebooks and PCs. Compared to the other analogue connections, it offers good picture quality. It can be screwed to the input or output device and can be adapted to YUV with a suitable configuration. DisplayPort: The DisplayPort connection is a VESA-standardised connection for the transmission of image and sound data. In addition to HDCP encryption, DPCP is also supported. Due to its compact size, the connection is most commonly used in notebooks. An extra small variant is the MiniDisplayPort, which is used especially with Apple devices. DVI: DVI (Digital Visual Interface) is an interface for the transmission of video data. Only analogue signals can be transmitted via DVi-A, only digital signals via DVI-D and both types of signals via DVI-I. USB: USB (Universal Serial Bus) is used to control and manage the projector (USB-B). With some business devices, office files and images can also be presented directly with a USB stick or a mouse can be connected via the USB input (USB-A). Toslink: The Toslink connection is an optical signal connection that works on an optical fibre basis. It is used for the digital transmission of audio signals. The optical design offers a lower susceptibility to interference from external magnetic and electrical influences. The connection is mostly used in the area of DVD / Blu-ray players and comparable devices in connection with an AV receiver, if these work with dts or Dolby Digital signals. YUV: The YUV connection, also called Y Cb/Pb Cr/Pr or component connection, is an analogue video connection with three channels (light intensity and two colour channels). Qualitatively, it is the best analogue video connection. Component cable: The YUV connector transmits analogue signals over three cables (Y=black and white UV=colours). YUV is used to transmit HDTV and is compatible with Cinch, for example. S-Video: The S-Video connection is also called S-VHS or Hosiden connection. Compared to the Cinch video connection, it works with two channels (brightness/colour). In terms of quality, it is somewhat better than the Cinch video connection, but there are also limitations. These can be explained by the susceptibility of the signal, which is reflected in picture distortions, for example. Cinch: The cinch video connection is also called composite connection. To make it easier to recognise, it is usually sheathed in yellow. Since the transmission is only via one channel, the picture quality is on a low level. D-Sub15: The VGA connector is a 15-pin connector for image transmission on an analogue basis. It is also called DSub15 and is often found on notebooks and PCs. Compared to the other analogue connectors, it offers good picture quality. It can be screwed to the input or output device and can be adapted to YUV with a suitable configuration. RS232: The RS232 interface can be used to control or manage the projector. Mini Jack: With a single-pin Mini Jack, mono audio signals can be transmitted, with a two-pin stereo audio signals and with a three-pin stereo audio signals and image data can be transmitted. Scart: Scart is a connector that can be used to transmit analogue audio and video signals. It is compatible with other analogue connections such as RCA or S-Video. ARC: The audio return channel, also called ARC or audio return channel, was introduced with HDMI version 1.4 to reduce the amount of cabling between HDMI components. The audio return channel runs via the existing HDMI cable. Therefore, an additional cable for the sound no longer needs to be connected. However, both devices must support ARC. All audio file formats that are also transmitted via the SPDIF interface can be transmitted via the audio return channel. These include Dolby Digital, Digital Theatre Sound and PCM audio. As an example, a connection between a TV (including receiver) and an AV receiver could be made via an HDMI cable. The sound from the TV is fed back via the HDMI cable. Previously, an additional digital cable (coaxial or Tos-Link) was required for the audio signals.
Features	HDR , HDR10+
Product width	50 cm
Product height	23.4 cm
Product depth	50.5 cm
Weight	23.1 kg
Colour	Black
Delivery contents	Power cable , Remote control
Condition	New
Warranty	24 Month
Warranty type	Bringin service Service and support information

Manufacturer's warranty information:
Here you will find more detailed information on the different types of warranty. Please refer to our manufacturer overview for contact details and warranty conditions for the corresponding warranty claim. Statutory warranty rights are not restricted by an additional manufacturer's warranty. Our liability for defects is governed by law. Defect rights can be claimed free of charge.

Distance:

- cm

Image size:

Wide

Height

Diagonal

min

″

max

″

Screen diagonal (″)

Width in cm

Height in cm

Format

4:3

16:9

16:10

Distance

Format

4:3

16:9

16:10